PDF Download Take Ten II: More Ten-Minute Plays, by Eric Lane Nina Shengold

PDF Download Take Ten II: More Ten-Minute Plays, by Eric Lane Nina Shengold

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Take Ten II: More Ten-Minute Plays, by Eric Lane Nina Shengold

PDF Download Take Ten II: More Ten-Minute Plays, by Eric Lane Nina Shengold

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From the Inside Flap

A ten-minute play is a blaze of theatrical energy. In this follow-up to their groundbreaking collection Take Ten, editors Eric Lane and Nina Shengold have put together a veritable bonfire of talent. Take Ten II: More 10-Minute Plays" provides a fast-track tour of the current theatrical landscape, from the slapstick ingenuity of David Ives' "Arabian Nights to the searing tension of Diana Son's 9/11 drama "The Moon, Please, to Susan Miller's luminous fable "The Grand Design. This remarkably diverse anthology includes thirty-five short plays by such major American playwrights as Christopher Durang, Warren Leight, Romulus Linney and Donald Margulies, alongside a host of exciting new voices. Actors, directors, producers and teachers will find Take Ten II an invaluable source of meaty roles for people of every age, ethnicity and gender; lovers of theatre will find it a richly satisfying read. These deceptively short plays throb with life in all its variety: harrowing, hilarious, and breathtakingly vital.

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About the Author

Eric Lane and Nina Shengold have been editing contemporary theater anthologies for more than twenty years. Eric Lane's award-winning plays have been published and performed in the United States, Canada, Europe, and China. Plays include Ride, Times of War, Heart of the City, Dancing on Checkers' Grave, and Filming O'Keeffe. Floating, a PlayPenn finalist, was workshopped at Raven Theatre. Eric's short plays are published in Best American Short Plays, Poems and Plays, and the Foreign Language Press (Beijing). He wrote and produced the short films First Breath and Cater-Waiter, which he also directed; both films screened in more than forty cities worldwide. For TV's Ryan's Hope he received a Writers Guild Award. Honors include the Berrilla Kerr Playwriting Award, the La MaMa Playwright Award, and fellowships at Yaddo, VCCA, and St. James Cavalier in Malta. Eric is an honors graduate of Brown University, and artistic director of Orange Thoughts, a not-for-profit theater and film company in New York City. Nina Shengold's plays include Finger Foods, War at Home, Homesteaders, and Romeo/Juliet, and have been produced around the world. Her one-act No Shoulder was filmed by director Suzi Yoonessi, with Melissa Leo and Samantha Sloyan. Nina won a Writers Guild Award for her teleplay Labor of Love, starring Marcia Gay Harden; other teleplays include Blind Spot, with Joanne Woodward and Laura Linney, and Unwed Father. Her books include the novel Clearcut; River of Words: Portraits of Hudson Valley Writers (with photographer Jennifer May), and a growing posse of pseudonymous books for young readers. A graduate of Wesleyan, she is currently teaching creative writing at Manhattanville College. Nina lives in New York's Hudson Valley, where she has been books editor of Chronogram magazine since 2004.

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Product details

Paperback: 432 pages

Publisher: Vintage (November 11, 2003)

Language: English

ISBN-10: 9781400032174

ISBN-13: 978-1400032174

ASIN: 1400032172

Product Dimensions:

5.2 x 0.9 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#222,405 in Books (See Top 100 in Books)

When it comes to what is good/funny/interesting and what is not, everyone can have a different idea. These plays did not, for the most part interest me, however, they may interest you.

Quick delivery and exactly as described. Glad I found this seller. Thank you!

Great resource!

As advertised, thank you!

It's great for a one semester class! Not a bad little play compilation at all. Inspired some ideas in me.

I don't like these plays. They are for a mature audience.

This is a really solid collection of ten-minute plays. Ten-minute plays are a wonderful challenge for writers and are very popular with theaters all over the world. The editors of this collection, Eric Lane and Nina Shengold, have done a fine job assembling a diverse and eclectic group of comedies and dramas for this book, and also provide readers with lots of helpful background information on the history of the ten-minute genre.If you haven't read ten-minute plays (or seen them performed in theaters), I think you'll be pleasantly surprised. This collection has something for everyone – an excellent variety – and would be a good place to start. Particular standouts in the book, I believe, are the pieces by Christopher Durang, Warren Leight, Claire Reeve, Sean O'Connor, and Rich Orloff. Very highly recommended.

"Take Ten II: More Ten-Minute Plays," edited by Eric Lane and Nina Shengold, is a follow-up to the co-editors' earlier anthology of very short plays. In addition to the thirty-five plays, the book contains an introduction by the co-editors, some biographical notes on the contributing playwrights, and an index breaking the included plays down into six categories, from one-character play to six or more characters. Interestingly, the most represented category in the book is the two-character play, with fifteen selections.Lane and Shengold have not just assembled an anthology; they are on a mission to champion the ten-minute play as a distinctive and vital genre with its own rich history. In their introduction, they note that it's been "just over twenty-five years since the Actors Theatre of Louisville announced its first Ten-Minute Play Contest," and in their acknowledgements section they note further, "The number of theatres around the country producing annual ten-minute play festivals continues to grow." A simple Internet search revealed to me how accurate the co-editors are in their assessment of the strength of this genre.Lane and Shengold promise "a crash course in the depth and diversity of the American theatre" in this anthology, and they more than fulfill this bold claim. Some of the most striking selections are as follows: "Antigone's Red," by Chiori Miyagawa, looks at the internment of Japanese-Americans during World War II. "Classyass," by Caleen Sinnette Jennings, is a comedy set at a college radio station. "The Cure," by Romulus Linney, is a one-character monologue told by a mountain midwife.Also worthy of note: "Daniel on a Thursday," by Garth Wingfield, is a two-character encounter set in a gay bar. I really enjoyed Nina Shengold's "Emotional Baggage," a clever comedy in which actors play pieces of unclaimed baggage at an airport. "It's Not You," by Craig Pospisil," is an unsettling satire about friendship and choices set in a New York City subway car. Dael Orlandersmith's "My Red Hand, My Black Hand" is an exploration of biracial Black/American Indian identity that has dialogue written as poetry. Rich Orloff's "Playwriting 101: The Rooftop Lesson" is a deliciously absurdist piece about the art of writing a play. "The Sniper," by Anthony David and Elaine Romero, is a gripping drama about the relationship between an Israeli military sniper and a Moroccan journalist.I found this superb anthology hard to put down. Lane and Shengold note that the best examples of the ten-minute play genre function as "miniature worlds." In this collection they have assembled a truly diverse and rewarding group of these little worlds. This book is a perfect companion for the original "Take Ten"; I recommend both anthologies enthusiastically.

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Take Ten II: More Ten-Minute Plays, by Eric Lane Nina Shengold PDF

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Ebook Download , by Richard Rohr

Ebook Download , by Richard Rohr

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, by Richard Rohr

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File Size: 1935 KB

Print Length: 288 pages

Publisher: Jossey-Bass; 1 edition (January 2, 2012)

Publication Date: January 2, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00BG4FOA0

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I liked this book a lot. I took a lot of quotes down. The hard part is how to apply it. It is one of those reads that you wish you could just assimilate all of the teachings, but at the same time you don't know where to even start.The ideas were compelling, but distant for me. Father Roar both inspires me and also makes me wonder if I even understand what he is saying. He is a mystic and I struggle with silence. My mind races, well more like jogs, and it is hard to make it take a seat. Contemplation asks you to take a seat while life is rushing around you.Anyway...about that book. It's basic premise is that you are a piece of God in a way. Yes, you are you, but you are also divine. Religion tends to ask its adherents to find God out there, but God is really in you...once you get rid of your "false self." As he says, "That God is both utterly beyond me and yet totally within me at the same time is the exquisite balance that most religion seldom achieves..."A good portion of the book takes shots, with good reason in my opinion, of the way religion is done today."The religious False Self can even justify racism, slavery, war, and total denial or deception and feel no guilt whatsoever, because “they think they are doing a holy duty for God” (John 16:2). The ego has found its cover, so be quite careful about being religious. If your religion does not transform your consciousness to one of compassion, it is more a part of the problem than any solution."He is open to truth from wherever it comes from, which I find very appealing. I really like this analogy of finding the Way without being a "true believer.""I also know that being a Christian today does not demand that you walk this map or recognize this deep pattern to reality. It is too often just a club to join. Indeed, many non-Christians see it, honor it, and live it much better than those who claim to be true believers. You have not been to Russia just because you have a correct map of Russia, and you can fully experience Russia without ever owning the map."Anyway, read it if you are a seeker. Rohr will intrigue you if nothing else.

This book changed my life-the soul is larger than the ego- much larger- we are ALREADY successful!the resurrection says it all-Quit building your life around your obsession with victimhood and GET in the present-You can LOVE! Like Mary waiting at the tomb, hoping emotionally spiritually that Christ is alive, while knowing cognitively (she saw him die) that Christ was DEAD- yet she had faith in the the unknown, that which can not be seen with our senses. If you want prosperity/fame/love in your life, visualize abundance - it is not as elusive as you imagined. With FAITH and belief- like Mary- you will witness the resurrection (of the thing that REALLY matters- love)I had been stuck in unsuccessful relationships after my husband died- after I read this book, myself identity evolved past fear and blossomed into something all-encompassing, iluminating andlarger- touched upon the DIVINE me. No longer am I desperate for a man's comfort- I amcomfortable all by myself.LOVED the quote from the Brothers Karamozov- I read that book maybe 20 years ago and Rohr's use of this (butterfly effect) quote crystallizes his thesis succintly!LOVE LOVE LOVE!!!!

I LOVE this book! It contains so much Spiritual wisdom. It is the stuff that you wish someone had said so many times. Yet no one talks about this stuff. While this is written by a Catholic Priest the book itself is not about being Catholic, it is about being HUMAN! It isn't about any specific religion, it is about finding and saving yourself within a sea of dogma. I recommend it to all of my clients. As a Spiritual Coach /Counselor I have spend years helping people find them-self when religion is not serving their needs and yet they know there is something more out there for them. That journey is highly personal, that each person who chooses the venture must go on alone. But this book helps explain the confusion that so many feel surrounding the search for their True Self. Finding their True Self is a human's biggest mission, yet it is hardly ever discussed in today's religion. It is the greatest gift I have witnessed each client find for them-self, and I highly encourage everyone to go on their own personal journey, with this book in hand. At Academy of Spirit, my counseling center, it is required reading, and while some find it somewhat complicated everyone finds the effort made in reading and implementing this book's teachings to be a life changing experience.

I can’t praise this book enough. It is a book to read and re-read until it’s truth begins to sink in. This is The Way pilgrims. Happily, Father Rohr can’t be silenced by the ecclesiastical police, the way Tielhard de Chardin was, so he can speak freely. His message is revolutionary, yet he is simply passing on what Jesus taught, before His teaching was tamed, re-packaged and turned into idolatry. Passing Christ’s message on is a difficult job for our ego will be outraged. It will fight tooth and nail to kill it. For that reason we need all the help we can get. Rohr is a profound and wise teacher, an invaluable guide to find your True Self. It is men like him who will save Christianity from irrelevance.

Father Rohr is a clear thinker and a clear writer. Even though I am an agnostic and pretty staunchlyuncomfortable with any religious institutions - and Fr. Rohr is definitely a Catholic, I find his ideasand the way he burrows into them inspiring. He is one of the few people I've read anywhere who Imight describe as 'wise.'My soul likes him.

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